{"id":660,"date":"2019-09-14T08:25:50","date_gmt":"2019-09-14T00:25:50","guid":{"rendered":"http:\/\/sagepbbbt.com\/?page_id=660"},"modified":"2019-09-14T08:25:50","modified_gmt":"2019-09-14T00:25:50","slug":"read","status":"publish","type":"page","link":"https:\/\/sage.craigpedersen.com\/blog\/read\/","title":{"rendered":"Read"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">By me<\/h2>\n\n\n\n<p>2022, Harlow, S. J. &#8216;<a href=\"https:\/\/disclaimer.org.au\/contents\/orifice-oriented-ontologies\/sage-pbbbt\">Sage Pbbbt: Voixes: (dis)possessions<\/a>&#8216;, Disclaimer.<\/p>\n\n\n\n<p>2019, Harlow, S. J. \u2018<a href=\"http:\/\/contextjournal.music.unimelb.edu.au\/context\/files\/2019\/08\/44.04-Context.Harlow.pdf\">Exploring the extra-normal self with the extra-normal voice: Improvised ritual possession with voice<\/a>\u2019, <em>Context<\/em> 44 (Winter 2019), 25-35.<\/p>\n\n\n\n<p>2019, Harlow, S. J. \u2018Non-striated sound spacetime: An ironic political myth\u2019, Soundest Zine 4 (August 2019).<\/p>\n\n\n\n<p>2019, Harlow, S.J. \u2018<a href=\"https:\/\/ro.ecu.edu.au\/theses\/2210\/\">Giving voice to the extra-normal self with the extra-normal voice: Improvised exploration through the realms of shamanic chaos magick, insight meditation and gender performance<\/a>\u2019, (PhD dissertation, Edith Cowan University).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">About me<\/h2>\n\n\n\n<p>2018, Josten Myburgh \u2018<a href=\"https:\/\/www.youtube.com\/watch?v=gxmpEfLdrAo\">interview with Temporary Autonomous Zion<\/a>\u2019 (video)<\/p>\n\n\n\n<p>2017, Mark Pino, \u2018<a href=\"https:\/\/disasteramnesiac.blogspot.com\/2017\/12\/sage-pbbbt-invocations-of-unknown.html\">review of <em>invocations of unknown entities<\/em><\/a>\u2019, Disaster Amnesiac<\/p>\n\n\n\n<p>2017, Josten Myburgh, \u2018<a href=\"https:\/\/harbour.blog\/2017\/05\/26\/josten-myburgh-interviews-sage-pbbbt\/\">interview with Sage Pbbbt<\/a>\u2019, Harbour Blog<\/p>\n\n\n\n<p>2016, Tone List, \u2018<a href=\"http:\/\/www.tonelist.com.au\/noise\/2016\/11\/16\/tlq1-sage-pbbbt\">questions about improvisation<\/a>\u2019, Noise Zine (print) and online<\/p>\n\n\n\n<p>2016, Alyssia Jodie, \u2018<a href=\"https:\/\/www.youtube.com\/watch?v=-x1Voy9328A\">Transtastic presents Sage Pbbbt<\/a>\u2019, TransTastic (video)<\/p>\n\n\n\n<p>2016, Mae Anthony, \u2018<a href=\"https:\/\/issuu.com\/ecuguild\/docs\/dircksey_politics_vol2_ed5_online\/26\">Perth Music Spotlight: Sage Pbbbt<\/a>\u2019, Dircksey Magazine<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By me 2022, Harlow, S. J. &#8216;Sage Pbbbt: Voixes: (dis)possessions&#8216;, Disclaimer. 2019, Harlow, S. J. \u2018Exploring the extra-normal self with the extra-normal voice: Improvised ritual possession with voice\u2019, Context 44 (Winter 2019), 25-35. 2019, Harlow, S. J. \u2018Non-striated sound spacetime: An ironic political myth\u2019, Soundest Zine 4 (August 2019). 2019, Harlow, S.J. \u2018Giving voice to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/pages\/660"}],"collection":[{"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/comments?post=660"}],"version-history":[{"count":0,"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/pages\/660\/revisions"}],"wp:attachment":[{"href":"https:\/\/sage.craigpedersen.com\/blog\/wp-json\/wp\/v2\/media?parent=660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}